The devaluation of black lives doesn鈥檛 happen overnight, nor is the process of dehumanizing those associated with blackness limited to a single ethnic group. The stereotypical representations鈥攐r omission altogether鈥攐f people of color in modern children鈥檚 literature promote a Eurocentric worldview and value system that denotes nonwhiteness as inferior.
Too often, children鈥檚 books are assumed to have white or animal main characters unless assigned an essentializing ethnic label such as African-American, Latino, or 鈥渄iverse children鈥檚 literature.鈥� Reflecting on the importance of who gets seen, when, where, and doing what in books for children has led me to conclude that children鈥檚 literature represents one of the most valuable pieces of real estate in the fight against bigotry and racism in American culture.
Paul Verhaeghen and other social psychologists have used word analysis and pattern recognition to show how reading material influences the adoption of stereotypical and racist views. Other researchers have found that stereotypical word pairings such as black-poor, black-violent, white-wealthy, and white-progressive in standard American reading material for adults .
While, to my knowledge, there has been no similar analysis of stereotypical word and image pairings in children鈥檚 literature, a growing number of people recognize the need for diversity in children literature. A grassroots organization, aptly named We Need Diverse Books, to produce and promote literature that reflects and honors the lives of all children. After a successful crowdfunding campaign in 2014, WNDB partnered with Scholastic to offer a special collection of diversity-themed books for young people.
As a former New York City elementary school teacher, a professional stand-up comedian, and a budding social entrepreneur, I am also working personally to inspire young black boys to identify as readers. In 2013, I founded , a community-based literacy program that places child-friendly reading spaces in barbershops to increase black boys鈥� access to and engagement with culturally relevant, age-appropriate, and gender-responsive books.
Despite these and other efforts, accurate and dignifying portrayals of the experiences and history of people of color remain an ongoing challenge in children鈥檚 literature. Last month, for instance, a high-profile controversy over the depiction of slaves in a Scholastic children鈥檚 book, A Birthday Cake for George Washington, .
As publishers increase the number of children鈥檚 books that feature nonwhite children, they must be careful to include diverse representations of the people and groups they seek to highlight. Otherwise, they run the risk of reinforcing stereotypes and propagating racist ideology.
In response to recent debates over the lack of positive representations of nonwhite characters in children鈥檚 books, far too many people echo the U.S. Supreme Court鈥檚 1896 majority opinion in Plessy v. Ferguson, which asserted that if 鈥渟eparation of the two races stamps the colored race with a badge of inferiority ... it is not by reason of anything found in the act, but solely because the colored race chooses to put that construction upon it.鈥�
Children's literature represents one of the most valuable pieces of real estate in the fight against bigotry and racism in American culture.
Are we to believe that stereotypical, degrading, and dehumanizing representations of nonwhite people in children鈥檚 books do not communicate messages about good and bad, significance and irrelevance, superiority and inferiority?
How educators use children鈥檚 books also significantly shapes students鈥� self-perceptions and their perceptions of others. Relegating books with nonwhite main characters to diversity/ethnic book lists or social studies units created for Black History Month, National Hispanic Heritage Month, or Native American Heritage Month creates a form of implicit and de facto segregation.
As children鈥檚 book author and illustrator Christopher Dean Meyers noted of children鈥檚 literature in a 2014 New York Times op-ed essay, 鈥� that concern themselves with the legacies of civil rights and slavery but are never given a pass card to traverse the lands of adventure, curiosity, imagination, or personal growth.鈥�
No child鈥檚 introduction to African-Americans in children鈥檚 literature should be limited to slavery, the civil rights movement, or the countless other oppression narratives that so often characterize books about the African-American experience.
Negative and misleading depictions of nonwhite people in children鈥檚 books, often under the guise of diversity or celebration, interfere with students鈥� right to an equitable and humane education.
According to the 2015 National Assessment of 91制片厂视频al Progress results, 85 percent of black male 4th graders in the United States read below 鈥減roficient.鈥� Low literacy of this proportion is not merely a matter of deficient reading skills. The reading struggles of many nonwhite children, especially those living in poverty, reflect a revolt against reading experiences that omit or misrepresent their interests and culture and, in effect, diminish their self-worth.
The persistence of disproportionately low reading scores among black boys and other underserved student populations reveals a systematic failure by American society and our education system.
The societal indifference toward the struggles and disenfranchisement of nonwhite citizens didn鈥檛 begin in adulthood at a voting booth, but on the colorful rugs of early-childhood classrooms during read-alouds. Children鈥檚 literature, read-alouds, and the resulting discussions will continue to shape children鈥檚 perceptions. The extent to which all children, especially white children, are exposed to books with diverse characters in diverse settings across diverse topics will determine, at least in part, if future generations of Americans gain a genuine appreciation of difference or languish in bigotry, racism, and white supremacy.
Publishers must publish more diverse children鈥檚 books, and teacher-preparation programs must better equip educators to create engaging year-round learning experiences using diverse titles. In sum, I advocate for diversity in children鈥檚 literature that affirms the humanity and culture of all children.
